So this week is our homeschool vacation week, the only time I get these days to write. I'm not making any goals to finish anything, though. I'm standing on shifting sands employment-wise, which is making me panicky. Quin's career is taking off now, but it's not the meteoric rise we'd need to get by on one income, and it would be hard for me to find another work-from-home nights and weekends thing which is necessary for the homeschooling, especially as Quin sometimes has to go out of town overnight with almost no notice. I couldn't really do the overnight shift at the Red Cross again unless I was constantly calling in sick or something. I might have to work my way through less and less savory transcription employment (working for services, ugh, and just until they outsource out of country or replace humans with computers). I hope to milk out another six years. Ten would be nice. I could always go back to being a lab tech, although at this point it would be a huge drop in pay. I've gotten spoiled on this pay for productivity thing; it's easy to forget that most jobs you can't get more cash just by working harder and faster.
It's hard not to have the "what if I did this for a living?" fantasy about the writing, but I don't really find that to be a healthy influence; in fact the quality of the work suffers when I'm in any way thinking of who would ever want to buy it when I'm done. It's just not good for the writing to be looking at the WIP like it's a potential Powerball ticket where I can skew the odds if I just write really, really well. Because nothing can ever be brilliant enough for that, and it's leaving me quite dejected. So I've had to get my head straight and just focus on the craft again and not worry about whether or not it will sell. I haven't written any actual words for it in over a month, but I've come up with back stories on secondary characters I need to add to the second half, and also a sense of some other things which are missing. I'm focused to work now, but I'm not quite as joyful as I usually am when I write. Maybe I'll find the joy when I get in the zone.
On a totally unrelated note, Quin's company picnic is this Wednesday, and he's very excited for me to go. I don't go to any of my work's functions; since I work from home the only people I actually know are the other transcriptionists, with whom I have almost nothing in common, so there's very little point (plus, I just hate parties). Since Quin works for an engineering firm, his coworkers are all just like the guys I hung out with in high school, so that's cool for me (it's still a party, but a tolerable party). Quin is particularly anxious for me to go this time since he can dump me with his Indian coworker who has been lending me all of her Bollywood movies (almost all of which I went on to buy my own copies; those movies have an insanely high rewatch factor. I've had Hum Aapke Hain Koun on in the background while I've been working or doing whatever. I've only had it for two weeks but I've played it about 20 times. It's my favorite). Quin's not only been carrying these movies back and forth, but I have him ask her questions about what this or that means, or what other movies with the same actors are good. Then this became "Ask her which one she likes better, Aamir Khan or Salman Khan?" She says Aamir Khan, because Salman Khan has pictures taken with his shirt off and that's just so inappropriate in India. "Well, inappropriate photos aside, I like him in the movies. He's got this dorky-funny thing going on. He reminds me of a Hayao Miyizaki character, that big-hearted, opposite-of-cool vibe is just so... cool." Well, she says you may like Salman Khan now, but that's just because you've never seen Shah Ruh Khan. She doesn't have any of his, but here's a list of titles (none of which are here yet, so I still haven't seen Shah Ruh Khan). I don't know why he wants to get out of the middle of this fascinating conversation. I can't imagine a bunch of engineers giving him crap for discussing which actor is the cutest in this or that musical. Oh, wait...
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