Movies in March

Being cash-strapped I've taken to checking out DVDs from the library, which always involves a wait and they don't have a particularly good way of browsing. You pretty much have to know what you want and see if they've got it. Still, free.

I got The Footlight Parade just to see the synchronized swimming number. I was surprised to see James Cagney in it; I associate him so much with gangster roles that I wasn't expecting to find him in a musical. He and the actress who played his secretary had a nice rapport, and I enjoyed this movie (although the synochronized swimming segment did inspire a bit of cattiness, pointing out who wasn't where she was supposed to be).

His Girl Friday was fun as well. This movie I've heard praised all over for its sharp dialogue, and it has that in spades.

Gandhi we watched together as family, sort of. Oliver conked out 20 minutes in and slept for the last 2 hours of movie (I blame the layer cake. We don't eat much sugar around these parts, and when we do it knocks us all out). I'd never seen this movie before (although I've seen a couple of movies about Bhaghat Singh). I was surprised by how much Aidan enjoyed it, but it really made an impression on him. It's been a bit more than a month since we watched it and he's still talking about things Gandhi said and did.

Freaky Friday we caught on TV, the remake with Jamie Lee Curtis and Lindsey Lohan. I'd never seen the original although I read a book version once in middle school. This was another one that Aidan really liked. I thought the two actresses did a terrific job of being each other. It's kind of a shame that these days Lindsey Lohan is mostly famous for being famous; she had the chops to go another way, I think.

Flyboys was a movie the rest of the family had already watched before but for some reason thought that I would want to see it (actually, I think that reason might be named James Franco). I'm not saying this movie is predictable, but I did amuse my boys by accurately guessing every plot twist and often paraphrasing the actual dialogue before it was spoken. I think it was the point where Franco's character and another guy crashlanded and I foresaw waking up in a whorehouse, meeting a girl he liked, and having that girl turn out not to be a whore because heroes don't fall for whores that really put it over the top. Apparently the planes aren't particularly accurate either, although that's more my husband's realm of expertise rather than mine. There is clearly a good movie to be made about these pillots, a Band of Brothers type movie about what it was really like. This isn't it. (Although it's hard to truly hate a movie where someone kamikazes a German Zeppelin).

I had a few things on preorder from Amazon.com that came this month as well. Baz Luhrmann's Australia I thoroughly enjoyed. After reading the description on the back of the box I was worried, it sounded like it would be kinda hokey, but it was just so perfect. And the kid playing the lead role of the half-aborigine orphan had such a wonderfully expressive face. Plus, Hugh Jackman. Can't go wrong with Hugh Jackman.

Quantum of Solace was just as awesome as I had been told.

BSG Season 4.0, being the first half of the fourth season. I'm starting to get a bad feeling for where all this is going. And as much as I dutifully avoid spoilers for this show and Lost, I've caught the phrase "deus ex machina" a few too many times in blogs about how the season wrapped up. I can see where a religion focused on total forgiveness (and in particular the you, like Kevin Bacon in Murder in the First, were just a tool/weapon defense) would appeal to Gaius Baltar. And I always love how he starts out conning others and inevitably ends up believing his own con (his character is the core of the show for me). But I don't see how this religion is going to appeal to the thousands of other survivors. I don't see how it's going to provide the sort of meaning they would be looking for, to put what happened to them in context. I wished it had been thought through just a little bit more.

Lastly I'll mention Sita Sings the Blues, a truly wonderful piece of filmmaking. It's a shame that legal snafus kept this out of theaters (and out of award consideration), but on the plus side, we can all see it for free on the internet. (It's here). I love the story. It's just my sort of thing, someone in the present finding deep personal meaning in a very old story, in this case the Ramayan. And I love the different animations she uses for the different aspects of the story, the squigglevision for the present day, the Mughal-style paintings from the Ramayan reenactments, the Betty Boop style for the depression-era songs. But my favorite are the shadow puppets who represent her three friends trying to remember the details of the story with much debating and correcting. The boys liked this one too, well enough to ask to see it again.

So this month's video segment is from Sita Sings the Blues. I loved the "Agni Pariksha (Sita's Fire)" segment the best but can't find a clip of just that bit on YouTube. (It is here, but you have to skip up to 7:20 to see it). In the meantime, here is the opening. I love how all the Hindu imagery is used without any explanation. It's fascinating even if you don't know quite what it all means: